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For the most part, I've had my fill of zombie movies. Although favorites such as 28 Days Later and the early seasons of The Walking Dead proved enjoyable, this category feels mostly depleted nowadays. Even the highly anticipated 28 Years Later remains gathering dust on my to-watch queue for some time. However, Netflix's new Southeast Asian horror film, The Elixir, managed to subvert what I anticipated and proved remarkably enjoyable.

Excellent Rhythm and Character Growth

Among this movie's greatest assets lies in the excellent rhythm. It begins using a striking opening sequence in which a calm family party is violently interrupted when a van plows right into the guest area. Out of the van, a very undead-looking stranger emerges and begins attacking the partygoers. This dramatic moment is then succeeded by a look back, giving viewers to observe the family before the tragedy struck.

Unlike numerous zombie films, The Elixir actually allows the audience enough opportunity to become acquainted with the primary characters prior to the chaos ensues. There's Nes, a wife and mother with a ex best friend, Karina, has become married to Nes' father—a clearly awkward dynamic. Naturally, this has understandably caused a falling out between Nes and Karina. Then there's Nes' brother, Bang, described as kind-hearted yet a bit inept socially, and who enjoys playing video games alongside his nephew, Raihan. Her spouse, Rudi, seems to have lately cheated on her. This household patriarch is her dad, the owner of a well-known herbal remedy company called Wani Waras, and he appears focused on only two things: his work and his marriage to his daughter's ex-best friend. Needless to say, this family reunion proves incredibly strained.

Invested in the Conflict

I found myself so engrossed with this household's issues along with their interpersonal drama that I almost forgot I was watching a scary movie—which might seem like a negative, but in the end paid off. The Elixir dedicates a significant amount of its runtime to showing viewers who each family member represents, and how they add to the overall dysfunction. This focus on clashing personalities enabled the audience to connect with the characters sufficiently to be concerned for their fate—a rare accomplishment for this style that often introduces individuals only to eliminate them soon after. The Elixir avoids portraying its characters as two-dimensional, disposable victims for a horde of zombies to devour, thus it's a real surprise once events finally deteriorate.

Reminiscent of Parasite

The opening scenes from the gathering and the multiple household exchanges actually bring to mind the movie Parasite, a story that masquerades like a K-Drama featuring somewhat morbid humor prior to taking a sudden turn into shocking ground. These early moments don't focus as much on comedy compared to Parasite, yet The Elixir nonetheless provides enough opportunity to settle into the setting prior to it gets upended.

Original Zombification Origin

The film also offers a fairly intriguing explanation regarding the origin of the contagious zombification. Rather than a unintended lab leak or some sort of bioweapon, the source of this infectious condition stems from a recent batch of Wani Waras natural medicines created by her dad. Although some background is provided a bit about its origins, it would have been better if the film devoted additional focus on how Wani Waras went from a reputable supplier of natural treatments to producing a deadly potion which seems to include an extremely infectious virus. Despite the lack of context, the impact this condition produces on people is absolutely disgusting, which I appreciate. The Elixir's zombies prove quick, freaky-looking, and, perhaps worst of all, constantly grinning. This represents a daring decision, yet it works. The Elixir's practical effects and CGI are also quite convincing, and they're almost guaranteed to provoke a fear of holes.

Capable Characters

Even better than the disgusting moments is the cast themselves. Certainly, we see a few examples of dubious decision-making (as in typical zombie movie), however generally, Nes and her family show themselves resourceful and sharp. Additionally, they aren't afraid to kick a zombie in the head, stab it using a farm tool, or beat it on the skull with whatever blunt instrument is available rather than freezing like prey in headlights as death nears.

Believable Familial Strike

The Elixir doesn't drop its themes of familial discord once individuals begin transforming into zombies, this proved a pleasantly authentic subversion from that "We don't get along|"We have issues, but since you nearly died so I instantly pardon you for all your mistakes!" cliché often seen in apocalyptic movies. It's clear, Nes loves her relatives and cares about her husband, Rudi, yet it's equally clear she's still holding onto bitterness over his betrayal in their relationship. Once the household becomes split up, they agree over the phone to meet up at a close spot. But when Bang reveals he doesn't know the way to the location, Nes expresses an immense level of irritation toward Bang which has obviously been building for years. Nes is not perfect, and her family—flawed as it is—seem realistic and understandable since the movie avoids attempting to push the notion that a near-death experience immediately resolves family tensions. This makes those instances when these characters do show appreciation toward one another seem much more genuine.

Predictable Conclusion

Despite The Elixir's best attempts to break new ground, the conclusion must be said to be a bit stereotypical. The Elixir isn't really offering up any deep message regarding relatives or society, as well. Rather, it's primarily serving up frights. Yet these are effective scares, and because the film gives each character sufficient space to develop and doesn't punish them for having flaws, the outcome is an engaging and enjoyable